Let's dive into the world of music and explore an album review with a twist. I'm here to dissect and analyze the latest release from Six Feet Under, titled 'Next to Die', and uncover the intriguing dynamics at play.
The Squatter's Rights Tradition
In the music review world, there's a tradition known as 'Squatter's Rights'. It's an unspoken rule that ensures fairness and prevents chaos. When a reviewer gets to cover a 'big name' band, they get first dibs on reviewing their subsequent releases. It's a way to maintain peace and avoid staff-wide battles over who gets to review the most anticipated albums.
Six Feet Under's Inversion
However, Six Feet Under seems to be an exception to this rule. Despite being a well-known name in the metal scene, their albums are passed around like a hot potato. In fact, their last seven albums have been reviewed by five different writers! It's almost as if no one wants to claim ownership of their reviews.
The Challenge of 'Next to Die'
The latest album, 'Next to Die', has landed in my lap. I must admit, I was initially excited for the opportunity to review a potential disaster. Six Feet Under's previous works have left much to be desired, with their last album, 'Killing for Revenge', receiving mixed reviews at best. But, to my surprise, 'Next to Die' has managed to defy expectations.
A Surprising Turn of Events
What makes this album intriguing is the abundance of good ideas. From tasteful guitar solos to grooves that capture a hint of old-school authenticity, it's a pleasant departure from their previous efforts. The rage-inducing flaws that plagued their earlier works seem to have been addressed. There are moments of high energy and a nod to the oldest of old-school death metal, which is a welcome change.
Chris Barnes' Evolution
Chris Barnes, the frontman, has seemingly found his groove. He's managed to strike a balance between his performances on 'The Bleeding' and 'Butchered at Birth', resulting in a more refined and engaging vocal delivery. While there are still moments where his pacing could use some work, it's a vast improvement. He's even brought a bit more tonal range to the table, which adds depth to his performance.
A Collaborative Effort
Interestingly, the band seems to be embracing a more collaborative approach. Drummer Marco Pitruzzella adds his unique touch with unexpected drum arrangements, although some of his choices can be a bit jarring. The album also features some artistic risks that don't quite land, like the ASMR-inspired verses in 'Ill Wishes'. However, these moments of experimentation add an element of surprise to the overall listening experience.
The Paradox of 'Mister Blood and Guts'
One of the album's highlights is the track 'Mister Blood and Guts'. Musically, it's a gem, with a chorus that ignites the pit and leaves a grin on your face. But, the lyrics take an unexpected turn, reminiscent of Sid from Toy Story. It's a paradoxical moment that encapsulates the album as a whole - a blend of unexpected joy and a sense of relief when the average and mediocre make an appearance.
Final Thoughts
'Next to Die' is a surprising step forward for Six Feet Under. While it's not without its flaws, it's a significant improvement over their previous works. For a band that has struggled to find its footing, this album represents a crowning accomplishment. It's a testament to their ability to evolve and deliver an average, yet enjoyable, listening experience. For me, it's a solid 2.5/5.0, and I'm left wondering what the future holds for this unique band.
